The Music of Pohick Church
- Choir of Pohick
- Children's Choirs
- Bell Choir
- Pohick Pickers
- Liturgical Dancers
- The Pipe Organ
The Music of Pohick Church
Linda Egan, Minister of Music
Barbara Lynn, St. Francis Choir Director
John Sessums, Pohick Pickers Director
From the unaccompanied psalm singing of George Washington’s time, to the Sacred Harp singing and revival hymns of the 19th century, through the 20th century establishment of a choir gallery and the late 20th century hymn explosion into 21st century world music, music has been and is a vital element of life and worship at Pohick Church. Our history of praising God with music supports our present vibrant music which supports and encourages our life in Christ.
The Choir of Pohick, for college age and adult singers, rehearses Thursdays 7:30-9 p.m., and sings for the Sunday 9 a.m. service, warming up at 8 a.m. We sing a wide variety of music: traditional Anglican hymnody and anthems, early music through 21st century music of other nations and traditions, new compositions as well as standard Episcopal anthem repertoire. Do you have the desire to sing and to learn and a willing heart? Come join us! Contact Linda Egan, director, for more information.
Students in grades 4-12 sing in the St. Cecelia/St. Alban Choir. Choristers learn the music of worship, pray together, learn about the church and its worship and music, and have fun with a variety of musical styles and instruments. Traditional and new choral music, musicianship, deportment, and elements of our worship are emphasized in rehearsals on Sundays from 12:30-1:30 p.m., which prepare us to sing the first Sunday of each month at 9 a.m. with vested warmup at 8:15 a.m. and the third Sunday of the month at 11:15 a.m. with vested warmup at 10:50 a.m. Contact Linda Egan, director, for more information
The St. Francis Choir is for children in grades K-3. It rehearses Wednesday nights from 6-6:30. Singers learn basic note reading skills as well as traditional songs of Episcopal worship through singing and games. If you have children interested in this choir, please contact Barbara Lynn through one of the church numbers.
Students in grades 9-12 and adults ring in the Pohick Bell Choir. During our Thursday rehearsals from 6:15 to 7:20 p.m., Pohick Bell Choir ringers expand their musicianship and learn a wide variety of handbell and handchime techniques using three octaves of Malmark handbells and three octaves of Choirchimes. We play eight times each year for the 9 am and 11:15 am services. Both position and substitute ringers are welcome. See or call Linda Egan, director. for more information.
The Pohick Pickers are
an instrumental ensemble comprised of various instruments, which plays
for communion on the third Sunday of the month and for community
outreach activities. Contact John Sessums if you’re interested
in playing or singing with this group. Click here for more
This ministry offers a visual and inspirational element of praise in worship, gatherings, and on stage. Through the combined use of gesture, dance, costumes and props, biblical stories and messages are shared and brought to life. This is an intergenerational, outreach ministry with no dance experience required. For more information contact Heather Seaton, Coordinator. View some of their past dances below.
- Above All
- Shout It
- Above All
- Won't You Be My Love
Members of the Lorton Liturgical Dancers perform to Scott Reed's "Above All" at St. Mark's Lutheran Church, Springfield, Va on June 4, 2011
The Lorton Liturgical Dancers and the Bravo Theatre Project perform a Ribbon Dance to "Shout It" by Jeremy Scott at St. Mark's Lutheran Church,
Springfield, Va on June 4, 2011
The Lorton Liturgical Dancers dance to "Amen" on May 1, 2011
The Lorton Liturgical Dancers dance to Scott Reed's "Above All" on April 13, 2011
The Lorton Liturgical Dancers perform to "Won't You Be My Love"
by MercyMe on March 16, 2011
The Pohick Organ
Click on the individual stops for detailed descriptions of their tonal quality
The Pohick organ was built by the Noack Organ Co., of Georgetown Mass., in 1968. The organ case was designed by Charles Fisk and Mr. Fritz Noack. The engravings were the work of Mr. Roger Martin. Mr. John Fesperman of the Smithsonian Museum was the consultant to Pohick Church.
Following the style of the time, the organ was conceived according to the principles of the Orgel bewegung or organ reform movement which began in Europe in the late 1950s. This was a return to classical organ building as it was practiced in the 17th and 18th centuries. The organ’s style followed the Germanic school with an emphasis on brightness and articulation. The two manual divisions were built as contrasting organs both tonally and spatially.
After thirty years of constant use the organ was showing its age with worn out and broken parts, damaged and dented pipes, leaking wind systems, and a tonal scheme that was no longer in keeping with the demands of the growing Pohick Church. In 2004, the church engaged David Storey of Baltimore to rebuild the instrument and repair many of the faults that had appeared. It was decided to expand the tonal resources of the organ as well and make it more suitable for hymn and choir accompanying and better at leading an American church service that has evolved from the English Anglican communion.
In its original design the organ had 13 stops with a total of 17 ranks and 880 pipes. There was one 8’ stop in each division. The new design placed more emphasis on the 8’ pitch by including stops that are necessary to lead strong congregational singing as well as accompany choir anthems. There are now 16 stops on the organ for a total of 18 ranks and 948 pipes.
The additional stops were added to the Great division, the main division which resides in the body of the case just above the keyboards. We wanted to stress the 8’ line so we added a Diapason for fullness in hymn singing and a soft String stop for delicate accompanimental purposes. Further, we decreased the size of the Mixture, and added a Twelfth for more color. We moved the Sesquialtera to the Positiv so all five pitches of a Cornet would be together. This now provides a bright and biting solo stop in the Positiv division. It was also decided to add a reed stop to the organ.
Due to limited space, we elected to have the existing Pedal Trumpet rebuilt and extended by 24 pipes so it could be played from the Great as well as the Pedal. This will be very useful for weddings and other processions. The Great now has a very complete tonal palette for a small organ and will offer many more varieties of sound for the discerning organist.
To fit the additional pipes into the case we moved 14 of the very largest wooden pipes out of the case. They now stand against the back wall behind the organ. These are the lowest pitches of the pedal stops. We built a new 9 stop slider wind chest for the Great with a totally new key and stop action. The Positiv and Pedal wind chests, pipes, key and stop action remained unchanged. The organ retains all of its pipes save the original Mixture and Larigot. Additional work included cleaning and refinishing the manual and pedal keys, cleaning the gold leafed carvings, redesigning the wind system for proper operation, repairing and painting the case, repairing and polishing the tin façade pipes and providing all new stop knobs.
The organ was rededicated on February 5, 2005 at a service of Evensong that included a recital by Victoria Shields Harding, Pohick's Minister of Music. Hymn and instrumental selections ranged from the Baroque through Contemporary periods, demonstrating the organ's new versatility. Our thanks goes out to the many contributors to this restoration, as well as to all the orginal benefactors. Their generosity will help enrich Pohick's congregational worship for many years to come.
David M. Storey founded his business in Baltimore in 1985 after working seven years for other organ builders. He now has four employees and the only organ workshop in Baltimore City. With regular customers between Wilmington, DE and Burlington, NC, the Storey firm stays busy building, servicing and tuning more than 100 instruments each year. Future projects include the rebuilding of a studio organ for The American University, Washington, DC, and the rebuilding and installation of a 57 stop organ for St. Bartholomew’s Episcopal Church in Baltimore.